Parrasch Heijnen, Los Angeles
Washington DC, United States
Art Gallery of New South Wales
Neon Parc, Melbourne
Heide MOMA, Melbourne
Missing Persons, Melbourne
COMA Gallery, Sydney
Singapore Biennale, Singapore
National Art School, Sydney
Parrasch Heijnen, Los Angeles
Bundanon Art Museum, Bundanon
COMA Gallery, Sydney
RISING, Melbourne
MUMA Monash, Melbourne
Parrasch Heijnen
(1) Vocabulary, 2024, rubber, epoxy modeling compound, urethane colorants, wood 80 x 82 x 20 inches
(2) Vocabulary (detail view)
(3) Ghost, 2024, wood, epoxy modeling compound, wire mesh, automotive paint, solvent 70-3/4 x 42 x 32 inches
(4) Ghost (detail view)
(5) Chronology, 2024, powdered marble, limestone, oxide pigment, sand, epoxy modeling compound, wire mesh, wood 62 x 33 x 32 inches
(6) Chronology (detail view)
(7) Scaffold, 2024, acrylic polymer, celluclay, epoxy modeling compound, wood, wood stain 33 x 23 x 25-1/2 inches
(8) Scaffold (detail view)
(9) Luster, 2024, pyrite dust, pyrite, diamond flakes, sand, wood, wire mesh, epoxy modeling compound, varnish 32 x 20 x 19 inches
(10) Luster (detail view)
(11) Archive, 2024, oxidizing iron paint, epoxy modeling compound, wood 29-1/2 x 17 x 23 inches
(12) Archive (detail view)
(13) Gathering, 2024, exterior epoxy modeling compound, marble chips, copper coins, turquoise stone, foam, wood, pigment, marine sealant, oxide, cement, 106 x 43 x 62 inches
(14) Gathering (detail view)
July 13–August 10, 2024
Nordin’s sculptures dance with gravity and an internal buoyancy that evokes the process of their creation. The artist’s organic yet constructed forms unfurl, topple, grow, and balance, as each work’s uniformity in color is juxtaposed in a vibrant assemblage of shapes, meditating within a lyrical solidity. Nordin’s works are adorned with a texture implicative of an internal life, combining elements of raw earth with new world materials, blurring the lines between the natural and the manufactured with “skins” that adapt to their given environment. Her process is an investigation of surface and material: “the pretense of how things appear: what may look like a stone object, or a rusted chunk of metal is actually the ‘skin’ pretending and performing as something else,” she explains.