ARTIST BIOGRAPHY

Nabilah Nordin (b. 1991 Singapore, lives and works in Los Angeles). Nabilah Nordin’s materially driven practice explores the formal possibilities and surface potential of sculpture. She employs improvised construction methods to build elaborate abstract forms, dramatizing their physicality so that they seem to defy gravity or teeter on the edge of collapse. Often working at scale, Nordin subverts the language of monumental sculpture by incorporating unconventional materials, such as deflated balloons and resin-coated bread. Taking visual cues from her immediate surroundings, her recent works draw upon coalescing, entangled structures. The surfaces of her sculptures are treated as disguises and sites of performance, often mimicking the appearance of natural phenomena, like rock formations or excavated artefacts. However, she resists direct representation, embracing ambiguity and drawing attention to the tactile and sensorial qualities of her materials. In doing so, she seeks to invest inanimate objects with agency, vitality and humour.

Nordin completed a Master of Contemporary Art at the Victorian College of the Arts in 2015, and a Bachelor of Fine Arts at RMIT University in 2013. Nordin’s work has been widely exhibited at museums, biennales and galleries across Australia and Asia. Solo presentations include Primary Matter, Parrasch Heijnen (Los Angeles), 2024; Australian Embassy Public Comission (Washington DC), 2023; Corinthian Clump, The National 4, Art Gallery of New South Wales (Sydney), 2023; Prop Shop, Neon Parc (Melbourne), 2022; Birdbrush and Other Essentials, Heide MOMA (Melbourne), 2021; Changwon Sculpture Biennale (South Korea), 2020 and An Obstacle in Every Direction, Singapore Biennale (Singapore), 2019. Group shows include Keith Sonnier: Live in Your Head, Parrasch Heijnen (Los Angeles), 2023; Melbourne Now, National Gallery of Victoria (Melbourne), 2023; Fantastic Forms, Bundanon Art Museum (Australia), 2023; A thousand different angles, McClelland Sculpture Park and Gallery (Melbourne), 2022 and SIMMER, Murray Art Museum Albury (Albury), 2021.


SOLO EXHIBITIONS

2024Primary Matter
Parrasch Heijnen, Los Angeles

2023The Australian Embassy
Washington DC, United States

2023The National 4: Australian Art Now
Art Gallery of New South Wales

2022New Positions 55th Art Cologne
Neon Parc, Cologne, Germany

2022Prop Shop
Neon Parc, Melbourne

2021Birdbrush and Other Essentials
Heide MOMA, Melbourne

2021Please Do Not Eat the Sculptures
Missing Persons, Melbourne

2020Covergirl Adhesives
COMA Gallery, Sydney

2020Salient Features
Changwon Sculpture Biennale, South Korea

2019An Obstacle in Every Direction
Singapore Biennale, Singapore



GROUP EXHIBITIONS
2024Undo the Day
National Art School, Sydney

2024The Change
Futures Gallery, Melbourne

2023Art Basel
Parrasch Heijnen, Miami Beach

2023Keith Sonnier: Live in Your Head
Parrasch Heijnen, Los Angeles

2023So Red it Looks Black
COMA Gallery, Sydney

2023Frozen Blood
Neon Parc, Melbourne

2023Sydney Contemporary
Neon Parc, Sydney

2023Fantastic Forms
Bundanon Art Museum

2023Melbourne Now
National Gallery of Victoria

2022No False Idols
4A Centre for Contemporary Asian Art

2022Tapestry
Canberra Art Biennial

2022A thousand different angles
McClelland Sculpture Park and Gallery

2022Be my once in a lifetime
Fiona and Sidney Myer Gallery, Melbourne


2022Parade for the Moon
RISING, Melbourne

2022Melbourne Art Fair
Neon Parc, Melbourne

2021SIMMER
Murray Art Museum Albury, Albury

2021Ramsay Art Prize
Art Gallery of South Australia

2021Connecting the World through Sculpture
Monash University Museum of Art, Melbourne











SELECTED BIBLIOGRAPHY
2024Top 3 This Week: Nabilah Nordin at Parrasch Heijnen
KCRW Art Insider

2023Scott Elliot: Nabilah Nordin Artist Text
Art Gallery of New South Wales

2022Amelia Winata ‘Prop Shop’
The Saturday Paper

2022Amelia Winata ‘A thousand different angles’
Catalogue Essay

2022Sophia Cai ‘Past Your Limit’
Art Collector

2021Matt Marasco ‘Birdbrush and Other Essentials’
MeMO

2021Julia Powles ‘Mess and Stuff: The Abundant Generosity of Nabilah Nordin’
Heide Catalogue Essay

2021Anna Dunnill ‘Studio: Nabilah Nordin’
Art Guide

2021Mariam Arcilla ‘50 Things Collectors Should Know Issue (Cool Hunter Predictions)’
Art Collector

2019Max Crosbie-Jones ‘Flawed but Intermittently Captivating: The Sixth Singapore Biennale’
Frieze Magazine

2019Isobel Parker Philip ‘Critic’s Choice’
Art Collector

2019Tessa Laird, 'Heavy Petting at the Cat Cafe”
Catalogue Essay

2018Haryani Ismail 'Pengukir arca 'balik kampung' demi warnai rumah kedai Emerald Hill'
Berita Harian

2017Brigid Hansen 'MARK ALL AS READ'
Art & Australia

2016Rathsaran Sireekan 'The world precedes the eye'
Art Asia Pacific


GRANTS & AWARDS2023National Stage, Arts Projects for Individuals and Groups, Australia Council for the Arts
2022At the Precipice, Arts Projects for Individuals and Groups, Australia Council for the Arts
2022Creative Projects Fund, Creative Victoria

2022Wollahra Small Sculpture Prize, Special Commendation Award, Wollahra Gallery, Sydney

2021Ramsay Art Prize Finalist, Art Gallery of South Australia, Adelaide

2020Sustaining Creative Workers Funding Program, Creative Victoria

2020Quick Response Arts Grant, City of Melbourne

2020The Churchie Emerging Art Prize, Special Commendation Award, Institute of Modern Art, Brisbane
2015National Gallery of Victoria Women’s Association Award, National Gallery of Victoria, Melbourne